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- [32] Genre-style models in N. V. Gogol's novel 'Mertvye Dushi' RUSSKAIA LITERATURA, 2007, (01): : 24 - 46
- [33] A Writer's Life as an Excuse for Telling a Story (On the Cryptographic Aspect of F. M. Dostoyevsky's The Village of Stepanchikovo) RUSSKAIA LITERATURA, 2015, (04): : 72 - 88
- [34] THE THEME OF FREEDOM IN THE CONTEXT OF MORAL PHILOSOPHY OF N. F. FEDOROV AND V. S. SOLOVIEV VESTNIK SLAVIANSKIKH KULTUR-BULLETIN OF SLAVIC CULTURES-SCIENTIFIC AND INFORMATIONAL JOURNAL, 2016, 40 : 67 - 78
- [35] The principles of N. V. Gogol's grotesque composition in Y.N. Tynyanov's script and film "The Overcoat" SIBIRSKII FILOLOGICHESKII ZHURNAL, 2014, (02): : 90 - 97
- [36] O, Children of the Sun, They're So Lovely! Andrey Bely - K. D. Balmont - F. M. Dostoyevsky - V. V. Rozanov RUSSKAIA LITERATURA, 2017, (01): : 162 - 168
- [37] The Importance of the Iconic Poetics: Based on the Works of N.V. Gogol and F.M. Dostoyevsky FORUM FOR WORLD LITERATURE STUDIES, 2022, 14 (02): : 278 - 295
- [38] The Evolution of the Text: The Author's Comment by N. V. Gogol on the Poetics of the Comedy "The Government Inspector" PROBLEMY ISTORICHESKOI POETIKI, 2020, 18 (01): : 146 - 174
- [40] Literary Genesis of the Images of "The Meek" and "The Chaste" in F. M. Dostoyevsky's Memoirs from the House of the Dead RUSSKAIA LITERATURA, 2015, (01): : 95 - 101