The State of Latino Theater in the United States: Hybridity, Transculturation, and Identity

被引：0

|

作者：

Paredez, Deborah ^{[1
]}

机构：

[1] Univ Texas Austin, Austin, TX 78712 USA

来源：

LATINO STUDIES | 2005年 / 3卷 / 01期

关键词：

D O I：

10.1057/palgrave.lst.8600122

中图分类号：

C91 [社会学];

学科分类号：

030301 ; 1204 ;

摘要：

引用

收藏

页码：156 / 158

页数：3

相关论文

共 50 条

[1] The State of Latino Theater in the United States: Hybridity, Transculturation, and Identity
Deborah Paredez
Latino Studies, 2005, 3 (1) : 156 - 158
[2] The state of Latino theater in the United States: Hybridity, transculturation, and identity.
Garland, L
THEATRE JOURNAL, 2004, 56 (03) : 518 - 520
[3] Cultural Studies and Latino narratives in the United States: Diasporic discursiveness and identity production from hybridity
Barros Grela, Eduardo
CULTURA LENGUAJE Y REPRESENTACION-REVISTA DE ESTUDIOS CULTURALES DE LA UNIVERSITAT JAUME I, 2010, 8 : 9 - 20
[4] THE LATINO THEATER AND CINEMA IN THE UNITED-STATES
不详
LATIN AMERICAN THEATRE REVIEW, 1990, 23 (02) : 128 - 128
[5] Latino Theater in the United States: the theater aesthetics of Migdalia Cruz
Santana, Analola
CUADERNOS DE LITERATURA, 2015, 19 (37) : 361 - 379
[6] Oye Como Va!: Hybridity and Identity in Latino Popular Music
Cepeda, Maria Elena
AMERICAS, 2011, 67 (03): : 413 - 414
[7] Oye como va!: Hybridity and Identity in Latino Popular Music
Rottgeri, Andre
POPULAR MUSIC, 2011, 30 (01) : 158 - 160
[8] Oye Como Va! Hybridity and Identity in Latino Popular Music
Goldschmitt, Kariann
AMERICAN MUSIC, 2010, 28 (03) : 386 - 388
[9] Oye Como Va! Hybridity and Identity in Latino Popular Music
Flores, Juan
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA, 2012, 33 (02): : 266 - 268
[10] Oye Como Va!: Hybridity and identity in Latino popular music
Ana Elizabeth Rosas
Latino Studies, 2011, 9 (4) : 489 - 491

← 1 2 3 4 5 →