This paper analyzes the practice of Fantastic Realism in Seville in the 1970s, as a singular entity of a way of conceiving figuration and as a reflection of a "return to painting" represented by a group of prominent representatives of this trend.
机构:
Pontificia Univ Santa Croce, Ist Super Sci Religiose Apollinare, Piazza St Apollinare 49, I-00186 Rome, ItalyPontificia Univ Santa Croce, Ist Super Sci Religiose Apollinare, Piazza St Apollinare 49, I-00186 Rome, Italy