DYNAMICS OR MOTION, AN INTERPRETATION OF SOME MUSICAL SIGNS IN ROMANTIC PIANO MUSIC

被引：0
|
作者：
HEIDSIECK, E
机构：
来源：
PIANO QUARTERLY | 1988年 / 140期
关键词：
D O I：
暂无
中图分类号：
J6 [音乐];
学科分类号：
摘要：
引用
收藏
页码：56 / 58
页数：3
相关论文
共 50 条
  • [31] The Rhine as musical metaphor: Cultural identity in German Romantic music
    Branscombe, P
    MODERN LANGUAGE REVIEW, 2000, 95 : 884 - 885
  • [32] Musical Descriptions and Sensations: the Presence of Music in English Romantic Poetry
    Techene, Claire
    ETUDES ANGLAISES, 2014, 67 (04): : 470 - 483
  • [33] MUSICAL INTERPRETATION IN PERFORMANCE - MUSIC-THEORY, MUSICOLOGY AND MUSICAL CONSCIOUSNESS
    SUNDIN, NG
    JOURNAL OF MUSICOLOGICAL RESEARCH, 1984, 5 (1-3) : 93 - 129
  • [34] 'Romantic Piano' and 'Sleazy Saxophone' Categories and Stereotypes in Library Music Catalogues
    Durand, Julia
    MUSIC SOUND AND THE MOVING IMAGE, 2020, 14 (01) : 23 - 45
  • [35] Exploring the Creative Style and Aesthetic Features of Romantic Period Piano Music
    Kuang, Jia
    Guo, Qiaowen
    CULTURA-INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE AND AXIOLOGY, 2024, 21 (04): : 213 - 230
  • [36] Classical piano music and the jazz vocabulary (Where to find ideas for your jazz improv, some musical examples)
    Rosenthal, T
    PIANO & KEYBOARD, 1998, (192): : 47 - +
  • [37] Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together
    Wood, Emily A.
    Chang, Andrew
    Bosnyak, Dan
    Klein, Lucas
    Baraku, Elger
    Dotov, Dobromir
    Trainor, Laurel J.
    ANNALS OF THE NEW YORK ACADEMY OF SCIENCES, 2022, 1516 (01) : 106 - 113
  • [38] THE DYNAMICS OF MUSIC, OR THE THEORY OF MUSICAL PERFORMANCE
    SCHILLING, G
    MUSIKTHEORIE, 1989, 4 (01): : 71 - 81
  • [39] Musical Forces: Motion, Metaphor, and Meaning in Music
    Margulis, Elizabeth Hellmuth
    MUSIC PERCEPTION, 2013, 30 (04): : 427 - 429
  • [40] For the Interpretation of New Music (= Publications of the Institute for New Music and Musical Education)
    Jena, Stefan
    OSTERREICHISCHE MUSIKZEITSCHRIFT, 2014, 69 (03): : 107 - 107
12345