'Nature', illusion and excess in Sokurov's Mother and Son

被引：0
|
作者：
Alaniz, Jose [1 ,2 ]
机构：
[1] Univ Washington, Dept Slav Languages & Literatures, Box 354338, Seattle, WA 98195 USA
[2] Univ Washington, Dept Comparat Literature, Seattle, WA 98195 USA
来源：
STUDIES IN RUSSIAN AND SOVIET CINEMA | 2008年 / 2卷 / 02期
关键词：
Russian cinema; Sokurov; death; excess; nature; C.D; Friedrich;
D O I：
10.1386/srsc.2.2.183_1
中图分类号：
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号：
摘要：
Aleksandr Sokurov's Mother and Son (1997) presents a highly allusive pictorialized vision of landscape, one highly derivative of the German Romantic painter Caspar David Friedrich. But the film's denaturalizing of nature goes even further than this, mobilizing peripheral space, chance, soundtrack/picture disjunction and cinematic excess - all traces of the 'Sokurovian unconscious', a puckish counter-text working to subvert the work's received elegiac mood.
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页码：183 / 204
页数：22
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