VISUAL MEMORY AND CREATIVE IMAGINATION IN KIAROSTAMI ROADS

From the unrest feeling proportionated by the contact with images in which unfinished aspect stands the desire of rational organized understanding. This means that we start from a understanding that the interpretation is not exclusively based in the considered work, but in the formation of its creator and in the viewer. This article originated from the concern in propose ways to see the photography of Abbas Kiarostami (Teera, 1940), that took into account the process of visual education produced by the Iranian Persian miniatures. We pass by the cinematographic and photographic images of this director and photographer, recognizing in the elements of its composition the distinctive attributes of the Persian miniatures and traditional narratives, resulting ways to see that they come from in the immersion of the visual memory of the artist and viewer.