Fashioning the fab four: The visual identities of the Beatles

被引:2
|
作者
Wilkins, Charlotte [1 ]
Inglis, Ian [1 ]
机构
[1] Northumbria Univ, Sch Arts Design & Social Sci, Newcastle Upon Tyne NE2 3LE, Tyne & Wear, England
关键词
Beatles; image and identity; 1960s; rock'n'roll; popular music; costume;
D O I
10.1386/fspc.2.2.207_1
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
Many historical analyses of the cultural impact of the Beatles have noted, but failed to explore, the overall significance of the group's visual imagery. In a decade when fashion and music became recognized as two of the principal elements in British popular culture and quickly developed into profitable global businesses, the group's stylistic choices and modes of display became crucial components of its continuing story. Inspired by influences drawn from the United States, Liverpool, Hamburg, London and India, the Beatles presented a succession of visual identities that charted their transition from a local, semi-professional group of musicians to international arbiters of taste and style. Their manipulation of new and existing styles also paralleled the Beatles' departure from a career built around a collective sensibility to one characterized by the rejection of uniformity and the demonstration of an unexpected independence.
引用
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页码:207 / 221
页数:15
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