A Reading on Immanence, Representation and the Visibility of Image, between Gilles Deleuze and Jacques Ranciere

This study reviews the theoretical categories constructed by Deleuze regarding pictorial facts: diagram, appearance, the distinction between tactile and optical vision, the erasure of narrative reference and the change in the concept of immanence. The notion of the body will appear tied to sensation as experience confronting knowledge, where transfers and affections occur between the receiving body and the outer world, an idea that suggests the existence of a "body of the work" as an autonomous organism on whose surface the operating modes of the senses are noticed. The study will go into the tensions produced between the thoughtful image in Ranciere and the unthought in Deleuze, and in the concept of presence as a route for undoing similarities to the symbolic, as an approach to what is not visible in the image. The study distinguishes the interrelations between representation and perception, between simulation and regimes of contemporary visibility.