SUBJECT TO MEMORY. AUTOGRAPHY, FICTION AND AUTOFICTION IN THE NARRATIVE OF IGNASI MORA

This article analyses how the memory of the earliest spaces that appear in the literary work by Ignasi Mora have a key influence on the shaping of his characters. These spaces are documented territories that the writer tries to turn into literary, playing with the stories and the characters at the same time, in an indissoluble relation between reality and fiction. Mora's books, both those autobiographical and those narrative, are difficult or even impossible to classify: the literature on the self at the opposite extreme of a referentialist or essentialist language, where childhood closes a mythic time and space. Following this line of reasoning, a hypothesis is proposed in the end of the article: a closed time and space will measure all the rest of times and spaces in Mora's work.