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- [1] Margaret Cavendish, the Antwerp Carmel and The Convent of Pleasure ARCHIV FUR DAS STUDIUM DER NEUEREN SPRACHEN UND LITERATUREN, 2014, 251 (01): : 134 - 145
- [2] Performance, performativity, and identity in Margaret!Cavendish's The 'Convent of Pleasure' STUDIES IN ENGLISH LITERATURE 1500-1900, 2008, 48 (02): : 419 - +
- [5] The "Chymical Theatre"(1): Alchemical Imagery in Margaret Cavendish's The Convent of Pleasure SUN YAT-SEN JOURNAL OF HUMANITIES, 2012, (33): : 51 - 70
- [7] CONVENTS AS FEMINIST UTOPIAS: MARGARET CAVENDISH'S THE CONVENT OF PLEASURE AND THE POTENTIAL OF CLOSETED DRAMAS AND COMMUNITIES WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL, 2009, 38 (06): : 647 - 669
- [9] "We shall discover our Selves": Practicing the Mermaid's Law in Margaret Cavendish's The Convent of Pleasure EARLY MODERN WOMEN-AN INTERDISCIPLINARY JOURNAL, 2010, 5 : 111 - 135
- [10] Three seventeenth-century plays on women and performance - The 'Wild-Goose Chase' by John Fletcher (1621); The 'Bird in a Cage' by James Shirley (1633); The 'Convent of Pleasure' by Margaret Cavendish (1668) TLS-THE TIMES LITERARY SUPPLEMENT, 2007, (5423): : 8 - 9