Ripping off Hollywood celebrities: Sofia Coppola's The Bling Ring, luxury fashion and self-branding in California

被引:4
|
作者
Pesce, Sara [1 ]
机构
[1] Univ Bologna, Dipartimento Arti Visive Performative & Mediali, Via Barberia 4, I-40123 Bologna, Italy
关键词
celebrity culture; fashion branding; self-branding; luxury; Hollywood stardom; social networks; Los Angeles; Sofia Coppola;
D O I
10.1386/ffc.4.1.5_1
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
My article takes The Bling Ring, directed by Sofia Coppola (2013) - and the post-Fordist, promotional, consumerist constellation it is consciously set in - as a case study of the metamorphosis of the agency, value and meaning of celebrity in contemporary California. I discuss how, in the era of social networking, the construction of celebrity has undergone a process of transformation that entails two conflicting, although strictly interlaced, tendencies. On the one hand is the Hollywood star, supported by a persisting industrial policy and holding a monopoly of attention. On the other is the multiplication of platforms for distributing visibility, including the spectacle of fashion-bloggers, trend-setters and 'celetoids' and forms of self-publicity, self-broadcast and life-casting of 'ordinary individuals' through the web. Especially, thanks to the diffusion of luxury fashion brands (and a precise marketing policy), a new liaison is taking place between the accredited star and a type of fans increasingly transforming themselves into would-be celebrities. I suggest here that the 'Bling Ring' story can be better understood when set against the background of LA's culture of branding and self-branding, a culture of self-commodification marked by the idea of empowerment through ever-renewing skills of self-presentation and artificially framed styles of life. At the same time, I hint at the social disparity embedded in LA, with its elites' ambivalent behaviour, including the nostalgic glance of a Hollywood insider (Coppola), to contest a notion of 'democratization' of fame. I wish to demonstrate how new-media-conveyed developments in American youth's behaviour - based on the skills of networking, on the auto-didactic, entrepreneurial activity of web participation, on open access and unrestricted appropriation - are challenging the privilege of fame aristocracy (the Hollywood stars), but not its vertical concentration of wealth and its individualized mode of power.
引用
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页码:5 / 24
页数:20
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