This work is designed as a synthetic view of the hierotopic baroque modeling of the Savina Monastery Great Church in Boka Kotorska from the XVIII century. Lacking Serbian church organization and episcope in the area of Dalmatia and Boka, and under Venetian dominion, there was an aspiration for keeping close relations with the Metropolitanate of Karlovci, the main Serbian spiritual and cultural stronghold of that time. Paradigmatically designed sacral spaces of churches in the Metropolitanate of Karlovci were transferred in the conceptual, iconographical, cult and relic sense to newly constructed remote paradigmatic sacral centers, both metaphorically and actually equal to their role models. The same principle of archetypical hierotopic transferring was also achieved in the Savina Monastery in Boka Kotorska in the XVIII century. By transferring and inserting such visual and ritual elements, the Savina fraternity consciously shaped their identity as a hierotopic whole and installation in the local area. At the same time, the Savina Monastery thus became a new sacral paradigmatic point. transferring formed hierotopic approaches further, modeling a new sacral topography of the local area.
