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- [2] THE 14TH MICHAELSTEIN CONFERENCE ON 18TH-CENTURY PERFORMANCE-PRACTICE[J]. BEITRAGE ZUR MUSIKWISSENSCHAFT, 1987, 29 (03): : 252 - 253PFEIFFER, R
- [3] MICHAELSTEIN CONFERENCE ON 18TH-CENTURY PERFORMANCE-PRACTICE OF INSTRUMENTAL MUSIC[J]. MUSIKFORSCHUNG, 1984, 37 (01): : 29 - 30EDLER, A
- [4] MACHAUT PUPIL DESCHAMPS ON PERFORMANCE OF MUSIC - VOICES OR INSTRUMENTS IN 14TH-CENTURY CHANSON[J]. EARLY MUSIC, 1977, 5 (04) : 484 - 491PAGE, C
- [5] RHYTHMIC PHRASING IN 18TH-CENTURY MUSIC - A STUDY IN PERFORMANCE-PRACTICE - GERMAN - PERL,H[J]. MUSICA, 1985, 39 (05): : 486 - 487REIDEMEISTER, P
- [6] RHYTHMIC PHRASING IN 18TH-CENTURY MUSIC - A STUDY IN PERFORMANCE-PRACTICE - GERMAN - PERL,H[J]. MUSIK UND KIRCHE, 1985, 55 (05): : 242 - 242SCHMIDT, H
- [7] 7TH WORKSHOP IN BLANKENBURG ON THE PERFORMANCE-PRACTICE AND INTERPRETATION OF THE INSTRUMENTAL MUSIC OF THE 1ST-HALF OF THE 18TH-CENTURY[J]. MUSIKFORSCHUNG, 1979, 32 (04): : 437 - 438HATTING, CE
- [8] The music of the margins. The iconography of animals and hybrid creatures playing musical instruments in illuminated manuscripts from the 12th to the 14th century[J]. CAHIERS DE CIVILISATION MEDIEVALE, 1999, 42 : 323 - 342Clouzot, M