Anglo-Saxonism in Nineteenth-Century Poetry

This article essays the first survey of 19th-century poetry that imitates, alludes to, or draws on, theories about Anglo-Saxon language and/or literature. Criticism has so far overlooked such a field as forming a distinct body of literature with shared preoccupations and influences, although some previous attention has been paid to the Anglo-Saxonism of individual poets or texts. This essay, then, provides the first scoping exercise of the extent and limits of a field one could term 19th-century Anglo-Saxonist poetry. This corpus is briefly contextualised within the wider field of Anglo-Saxonist literature, itself an important sub- genre of mediaevalism and mediaevalist literature. A possible fourfold typology is offered as a framework within which further study might be continued. Some consideration is briefly paid to the use of Anglo-Saxon in the poetry of William Wordsworth, Walter Scott, Alfred Tennyson, Lewis Carroll, William Barnes, William Morris, and Gerard Manley Hopkins. The importance of antiquarianism and philology is emphasised, with passing reference made to writers such as Sharon Turner, George Marsh, and to the essays of Ralph Waldo Emerson. The essay addresses a neglected topic in the broader field of the reception of the Middle Ages, and in particular the recovery and reception of Anglo-Saxon, or Old English language and poetry. The essay concludes by suggesting that new narrative models of literary history made be required to accommodate the concept of '19th-century Anglo-Saxon poetry'.