The Baroque and the Concerto barroco by Alejo Carpentier

被引：0

作者：

Domingues, Beatriz Helena ^{[1
,2
]}

机构：

[1] Univ Fed Juiz de Fora UFJF, Dept Hist, Juiz De Fora, MG, Brazil

[2] FAPEMIG, Belo Horizonte, MG, Brazil

来源：

IPOTESI-REVISTA DE ESTUDOS LITERARIOS | 2013年 / 17卷 / 01期

关键词：

Baroque Concert; Alejo Carpentier; History and Literature; Latin American Baroque; Antropophagy;

D O I：

暂无

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

This paper analyses the novel Concerto Barroco (1974) by the Cuban writer Alejo Carpentier as a baroque, or neo-baroque text that incorporates aspects of modernist 1920s anthropophagy, the use of carnivalization such as proposed by Mikhail Bakthin, and Marvelous Realism of the 1960s and 1970s. It does so through parallels between the three main characters of the novel and the Shakespearean metaphors of Prospero, Caliban, and Ariel.

引用

页码：165 / 180

页数：16

共 50 条

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[2] MEANING AND COLOR IN 'CONCIERTO BARROCO' + CARPENTIER,ALEJO
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