WHY ART, SOCIAL CONCERNS IN BRAZILIAN ART, 1930-1970 - PORTUGUESE - AMARAL,AA

被引：0

|

作者：

FRANCA, JA

机构：

来源：

COLOQUIO-ARTES | 1986年 / 68期

关键词：

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

引用

收藏

页码：68 / 68

页数：1

相关论文

共 50 条

[1] AMERICAN ART 1930-1970
MEYER, L
[J]. OEIL-MAGAZINE INTERNATIONAL D ART, 1992, (438): : 90 - 90
[2] AMERICAN ART 1930-1970
BELLINI, R
[J]. PONTE, 1992, 48 (04) : 133 - 137
[3] ART AND THE ARTISTIC PATH - PORTUGUESE - AMARAL,AA
FRANCA, JA
[J]. COLOQUIO-ARTES, 1984, (62): : 69 - 69
[4] AMERICAN ART, 1930-1970 - AN EXHIBITION IN TURIN
VETROCQ, ME
[J]. ART IN AMERICA, 1992, 80 (04): : 67 - &
[5] IN THE EYE OF THE STORM - AN ART OF CONSCIENCE, 1930-1970
不详
[J]. AMERICAN HISTORY, 1996, 31 (01) : 10 - 10
[6] Tarsila do Amaral: Art and environmental concerns of a Brazilian modernist
Damian, C
[J]. WOMANS ART JOURNAL, 1999, 20 (01) : 3 - 7
[7] The Invention of New Zealand: Art and National Identity, 1930-1970
Newton, John
[J]. JOURNAL OF NEW ZEALAND STUDIES, 2010, (09): : 176 - 179
[8] The Invention of New Zealand Art & National Identity 1930-1970
Stocker, Mark
[J]. NEW ZEALAND JOURNAL OF HISTORY, 2010, 44 (02): : 195 - 197
[9] Black modernities: the Brazilian racial formation (1930-1970)
Capanema, Silvia
[J]. BRESIL-S, 2022, 22
[10] For a Social History of the Corporation Paysanne (France, 1930-1970)
Atrux, Melanie
Baptiste, Martin
[J]. AYER, 2011, (83) : 27 - 52

← 1 2 3 4 5 →