Segundo de Chomon and the fascination for colour

被引:0
|
作者
Minguet Batllori, Joan M. [1 ]
机构
[1] Univ Autonoma Barcelona, Art Hist Dept, Barcelona, Spain
来源
FILM HISTORY | 2009年 / 21卷 / 01期
关键词
Segundo de Chomon; Pathecolor; Cinemacoloris process; Pathe freres; Georges Melies; colour film processes;
D O I
暂无
中图分类号
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号
摘要
Segundo de Chomon was one of the major figures of early cinema, and throughout his career he showed a particular dedication to colour. As early as 1902, in Barcelona, he tinted a copy of Melies' Barbe bleu. Between 1902 and 1904 he also tinted several movies for Pathe. In 1905, when he joined Pathe in Paris, he became one of the finest specialists in the cinema of attractions: trick films and phantasmagorias, in which colour was used as an added element to attract and fascinate the spectator. From 1908 or 1909 Chomon began integrating his attractions into more elaborate narratives, and the function played by colour started to change.
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页码:94 / 103
页数:10
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