Music and technology: the emergence of the virtual in sound composition

被引：0
|
作者：
Creuheras, Pol [1 ]
Delatte, Marta
Palazzi, Cristian [2 ,3 ]
机构：
[1] Asociac Cultural Albricias, Difus Cultural Barrio Gracia, Barcelona, Spain
[2] Univ Ramon Llull, Filosofia Social Ctr TSI ESADE, Barcelona, Spain
[3] Univ Ramon Llull, Catedra Ethos, Barcelona, Spain
来源：
TRIPODOS | 2010年 / 26期
关键词：
music; virtual; technology; electronic; electro-acoustic; specific; experimentation; innovation; software; net;
D O I：
暂无
中图分类号：
G2 [信息与知识传播];
学科分类号：
05 ; 0503 ;
摘要：
Music and its special relationship with technology represent a paradigm for understanding the emergence of the virtual in contemporary society. From the second half of the twentieth century, technological innovation has played a leading role in musical research. In turn, the democratization of this type of technology has blurred the dividing line between avant-garde music and popular music.
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页码：29 / 38
页数：10
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