What does happen, when "history" and "heritage" is nowhere to be found or claimed and granted? Drawing in his own mesti double dagger o heritage, the author tells the story of Geraldo in relation to his own one. Who was Geraldo? The intention is to challenge categories of knowledge that also relay in "knowledges" and social constructions, created by mechanisms of colonization even when they are created for the empowerment of the oppressed in many circumstances. The author offers visceral knowledge of growing up as and working with the poor in Brazil, to advance decolonizing discourse that may lead to more inclusive notions of social justice questioning the uncontrolled desire to categorize and control the Other. Through a layered text with a blurred aesthetic format, which mixes life stories and academic scholarship, the author asks: Can these borders, legacies, and injustices be transgressed? Can my body be transgressive as a form of scholarship?