The Image and Sound Museum of Rio de Janeiro and the authenticity in Brazilian Music (1960-1970s)

被引：0

作者：

Fernandes, Dmitri Cerboncini ^{[1
]}

机构：

[1] Univ Fed Juiz De Fora UFJF, Dept Ciencias Sociais, Juiz De Fora, Brazil

来源：

CONTEMPORANEA-REVISTA DE SOCIOLOGIA DA UFSCAR | 2015年 / 5卷 / 02期

关键词：

sociology of art; popular music; intellectuals; Brazilian culture;

D O I：

暂无

中图分类号：

C91 [社会学];

学科分类号：

030301 ; 1204 ;

摘要：

In this article I analyze one of the possible ways by which Brazilian Popular Music came to be endowed with a determined history, a formal definition and its own pantheon, processes set in motion mainly in the 1960-1970s within a newly established institution at the time: the Image and Sound Museum of Rio de Janeiro (MIS-RJ, in portuguese). My purpose is to understand the action of some key characters housed in MIS-RJ in order to establish the successful "routinization" of a particular aesthetical "authenticity" in Brazilian popular arts, which are the cases of Herminio Bello de Carvalho, Sergio Cabral, Jose Ramos Tinhorao and Ricardo Cravo Albin.

引用

页码：467 / 494

页数：28

共 47 条

[1] Museum of Image and Sound (MIS) Rio de Janeiro, Brazil 2009-2020
不详
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