An Introduction to Elinor Glyn: Her Life and Legacy

被引:2
|
作者
Weedon, Alexis [1 ]
机构
[1] Univ Bedfordshire, New Media Forms Book, Luton, Beds, England
基金
英国艺术与人文研究理事会;
关键词
celebrity; magazines; publishing; film; 1920s; interdisciplinary; personal branding; archives; silent movies; talkies; cross-media cooperation;
D O I
10.1080/09574042.2018.1447042
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
This special issue of Women: A Cultural Review re-evaluates an author who was once a household name, beloved by readers of romance, and whose films were distributed widely in Europe and the Americas. Elinor Glyn (1864-1943) was a British author of romantic fiction who went to Hollywood and became famous for her movies. She was a celebrity figure of the 1920s, and wrote constantly in Hearst's press. She wrote racy stories which were turned into filmsmost famously, Three Weeks (1924) and It (1927). These were viewed by the judiciary as scandalous, but by othersHollywood and the Spanish Catholic Churchas acceptably conservative. Glyn has become a peripheral figure in histories of this period, marginalized in accounts of the youth-centred flapper era'. Decades on, the idea of the It Girl' continues to have great pertinence in the post-feminist discourses of the twenty-first century. The 1910s and 1920s saw the development of intermodal networks between print, sound and screen cultures. This introduction to Glyn's life and legacy reviews the cross-disciplinary debate sparked by renewed interest in Glyn by film scholars and literary and feminist historians, and offers a range of views of Glyn's cultural and historical significance and areas for future research.
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页码:145 / 160
页数:16
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