TELBIN,WILLIAM THEORIES OF SCENE PAINTING, THE AESTHETIC OF ROMANTIC REALISM

被引：0

作者：

BERRY, DM ^{[1
]}

机构：

[1] OHIO STATE UNIV,COLUMBUS,OH 43210

来源：

THEATRE STUDIES | 1975年 / 21期

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D O I：

暂无

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

引用

页码：52 / 60

页数：9

共 8 条

[1] Romantic theories of painting
Muzelle, Alain
[J]. ETUDES GERMANIQUES, 2009, 64 (04): : 857 - 873
[2] The birth of Romantic art: Painting and imitation theories
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[J]. OEIL-MAGAZINE INTERNATIONAL D ART, 1998, (495): : 103 - 103
[3] GAUSS, - AESTHETIC THEORIES OF FRENCH ARTISTS - FROM REALISM TO SURREALISM
不详
[J]. JOURNAL OF THE AMERICAN MEDICAL ASSOCIATION, 1967, 200 (01): : 51 - &
[4] Menzel's cross-view and the aesthetic of subjectivity (Historical painting, Realism)
Suckale, R
[J]. JAHRBUCH DER BERLINER MUSEEN, 1999, 41 : 19 - 31
[5] Culture and Affect in Aesthetic Experience of Pictorial Realism: An Eighteenth-Century Korean Literatus' Reception of Western Religious Painting in Beijing
Hwang, Ju-Yeon
[J]. AISTHESIS-PRATICHE LINGUAGGI E SAPERI DELL ESTETICO, 2019, 12 (01): : 175 - 188
[6] RATIONALITY OF THE IMAGINATION IN THE ENLIGHTENMENT AND ROMANTIC ERA - A COMPARATIVE-STUDY ON SCHILLER AND SHELLY AESTHETIC THEORIES IN THEIR EUROPEAN CONTEXT - GERMAN - DOD,E
SIMON, R
[J]. ARCADIA-ZEITSCHRIFT FUR VERGLEICHENDE LITERATURWISSENSCHAFT, 1989, 24 (01): : 95 - 98
[7] THE RATIONALITY OF THE IMAGINATION IN THE ENLIGHTENMENT AND IN THE ROMANTIC PERIOD - A COMPARATIVE-STUDY OF SCHILLER AND SHELLEY AESTHETIC THEORIES IN THEIR EUROPEAN CONTEXT - GERMAN - DOD,E
SIMONS, J
[J]. COLLOQUIA GERMANICA, 1988, 21 (2-3) : 212 - 213
[8] POETIC ILLUSION AND SOCIETAL REALITY - THE AESTHETIC STRUCTURE AND HISTORIC FUNCTION OF VERSE AND PROSE ROMANTIC WRITING IN THE WORKS OF MORRIS,WILLIAM - GERMAN - HONNEF,K
SEEHASE, G
[J]. ZEITSCHRIFT FUR ANGLISTIK UND AMERIKANISTIK, 1981, 29 (02): : 168 - 169

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