Freud's suburbs - Freud's father and the lacanian object

被引:0
|
作者
Vieira, Marcus Andre [1 ]
机构
[1] Pontificia Univ Catolica Rio De Janeiro PUC Rio, Programa Posgrad Psicol, Rio De Janeiro, RJ, Brazil
来源
ARQUIVOS BRASILEROS DE PSICOLOGIA | 2008年 / 60卷 / 01期
关键词
Psychoanalysis; Freud; MV Bill; Suburbs; Hip-Hop; Jouissance;
D O I
暂无
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
The article examines how Freud describes his visit to Athens in his texts. This encounter is marked by a certain sense of vertigo, and how, according to Lacan, it represents the interlacing of the extreme point of desire with the function of interdiction. Once a limit is fixed by a 'no' to the unlimited jouissance, new possibilities may present themselves. The relationship between desire and interdiction is touched from the point of view of MV Bill, a brazilian rapper. Once attained the social status of celebrity, the rapper seems also subject to a certain vertigo. He doesn't seeks Freud's orientation nor explanation, but something else. The same obstacle that presented itself to Freud on the Acropolis now presents itself to the rapper, this encounter with the point in which success seems failure, in which a man's top achievement make way to anguish. Thus, the article examines, from a Lacanian perspective in which the encounters of Freud and MV Bill can be seen as encounters with the object 'a', the possibility to find a place to that that is structurally outside, or in Lacan's terms, ex-sisting.
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页码:152 / 158
页数:7
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