This paper sets out to examine the social implications and functions of the contemporary body of gay Moroccan literature against Maria Pia Lara's readings of the creation and reception of literary works in the public sphere. Through a (re) reading of novels by Rachid O. and Abdellah Taa, it is argued that these novels offer a privileged space that is not simply a metalinguistic and autonomous edifice, but also a means through which individual, societal and cultural self-assessment and comprehension can be affected in the domain of quotidian life. Ultimately, and possibly more importantly, this paper asserts that gay literary narratives reveal the heterogeneity of lived experiences, thereby producing innovative ways of considering sexuality which cannot be simply overlooked or invalidated. These narratives thus propose an alternative public-sphere which challenges hegemonic Moroccan norms and value systems.