The ILM Version: Recent Digital Effects and the Aesthetics of 1970s Cinematography

被引：9
|
作者：
Turnock, Julie [1 ]
机构：
[1] Univ Illinois, Coll Media, Media & Cinema Studies, Chicago, IL 60680 USA
来源：
FILM HISTORY | 2012年 / 24卷 / 02期
关键词：
Special Visual Effects; Realism; 1970s Cinema; Industrial Light and Magic; George Lucas; Steven Spielberg; Munich (2005);
D O I：
10.2979/filmhistory.24.2.158
中图分类号：
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号：
摘要：
Rather than duplicating a transhistorical notion of "perceptual realism" based on the phenomenal world, contemporary digital imaging imitates the look of photography - specifically, the look of 1970s cinematography. This is largely due to the historical dominance of one special effects company, Industrial Light and Magic (ILM), which developed a photorealistic special effects aesthetic to match the live action photography of the originaol Star Wars trilogy. Over time, that particular aesthetic hardened into a powerfully convincing house style. Given the prominence of ILM in the film industry, denaturalizing the ILM aesthetic is crucial to understanding how digital images evoke "authenticity" or "veracity".
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页码：158 / 168
页数：11
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