The perception of concurrent sound objects through the use of harmonic enhancement: a study of auditory attention

被引:0
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作者
Elena Koulaguina
Brandi Lee Drisdelle
Claude Alain
Stephan Grimault
Douglas Eck
François Vachon
Pierre Jolicoeur
机构
[1] Université du Québec à Montréal,Département de Psychologie
[2] Université de Montréal,Centre de Recherche en Neuropsychologie et Cognition (CERNEC)
[3] Université de Montréal,Laboratory for Brain, Music and Sound Research (BRAMS)
[4] Université de Montréal,Rotman Research Institute
[5] Baycrest Centre,undefined
[6] Le Centre National de la Recherche Scientifique (CNRS),undefined
[7] Google Inc.,undefined
[8] Université Laval,undefined
[9] Centre de Recherche de l’Institut Universitaire de Gériatrie de Montréal (CRIUGM),undefined
来源
关键词
Complex sound segregation; Mistuned harmonic; Harmonic enhancement;
D O I
暂无
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学科分类号
摘要
When the frequency of one harmonic, in a sound composed of many harmonics, is briefly mistuned and then returned to the ‘in-tune’ frequency and phase, observers report hearing this harmonic as a separate tone long after the brief period of mistuning – a phenomenon called harmonic enhancement. Here, we examined the consequence of harmonic enhancement on listeners’ ability to detect a brief amplitude notch embedded in one of the harmonics after the period of mistuning. When present, the notch was either on the enhanced harmonic or on a different harmonic. Detection was better on the enhanced harmonic than on a non-enhanced harmonic. This finding suggests that attention was drawn to the enhanced harmonic (which constituted a new sound object) thereby easing the processing of sound features (i.e., a notch) within that object. This is the first evidence of a functional consequence of the after-effect of transient mistuning on auditory perception. Moreover, the findings provide support for an attention-based explanation of the enhancement phenomenon.
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页码:922 / 929
页数:7
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