Multitechnique diagnostic analysis and 3D surveying prior to the restoration of St. Michael defeating Evil painting by Mattia Preti

被引:0
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作者
Sebastiano D’Amico
Valeria Comite
Giuseppe Paladini
Michela Ricca
Emanuele Colica
Luciano Galone
Sante Guido
Giuseppe Mantella
Vincenza Crupi
Domenico Majolino
Paola Fermo
Mauro Francesco La Russa
Luciana Randazzo
Valentina Venuti
机构
[1] University of Malta,Department of Geosciences
[2] University of Milan,Department of Chemistry
[3] University of Messina,Department of Mathematical and Computer Sciences, Physical Sciences and Earth Sciences
[4] University of Calabria,Department of Biology, Ecology and Earth Sciences
[5] University of Trento,Department of Literature and Philosophy
[6] Giuseppe Mantella Restauro Opere D’Arte,Department of Chemical, Biological, Pharmaceutical and Environmental Sciences
[7] University of Messina,undefined
关键词
Conservation; Lunette; Mattia Preti; Pigment’s identification; Globigerina limestone; Multitechnique analysis; 3D photogrammetric survey;
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摘要
In this study, a multimethodological analysis involving optical and physical/chemical diagnostic techniques and 3D photogrammetric survey was successfully applied, for the first time, on the large oil on canvas St. Michael defeating Evil painting by Mattia Preti, located inside the Church of the Immaculate Conception of Sarria (Floriana) in Malta. Pigmenting agents, binder media, and raw materials were first characterized, both at elemental and molecular scales, through X-ray fluorescence spectroscopy (XRF), optical stereo microscopy (SM), scanning electron microscopy coupled with energy dispersive X-ray spectroscopy (SEM-EDX), Fourier transform infrared spectroscopy (FT-IR), and gas chromatography coupled with mass spectrometry (GC-MS). The main goal was to properly identify the execution technique of this famous painter, the artist’s palette, and possible nondocumented interventions. The 3D photogrammetric survey, on the other side, allowed us to noninvasively evaluate the extension of the areas that experienced restorations, and to properly map the domains of the different canvasses observed. The joints between canvasses suggested that the painting was folded and rolled up. In addition, the employment of a thermal camera gave evidence of the different consolidating material injection points used during the restoration to strengthen the painting. The obtained results offer useful information for the development of optimized restoration and conservation strategies to be applied and provide, at the same time, answers to open questions related to provenance and dating of the investigated artwork.
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页码:29478 / 29497
页数:19
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