Performing rhetorical criticism of built spaces offers powerful insight into quotidian and sublime rhetorical performances. The strongest forms of this criticism remakes the critical and demands a reimagining of the critic and their role in analyzing the textures of the rhetorical artifact. This reimagining depends on the careful consideration of bodies and materiality. I argue for considering rhetorical textures?rather than rhetorical texts?as a way to rethink some of criticism?s traditional terms including text and context, author, audience, and consequence.