Linearly-implicit schemes for collisions in musical acoustics based on energy quadratisation

被引:14
|
作者
Ducceschi, Michele [1 ,3 ]
Bilbao, Stefan [1 ]
Willemsen, Silvin [2 ]
Serafin, Stefania [2 ]
机构
[1] Univ Edinburgh, Acoust & Audio Grp, 12 Nicolson Sq, Edinburgh EH9 8DF, Midlothian, Scotland
[2] Aalborg Univ, Multisensory Experience Lab, CREATE, Copenhagen, Denmark
[3] Univ Bologna, Dept Ind Engn DIN, Bologna, Italy
来源
关键词
SOUND SYNTHESIS; NUMERICAL-SIMULATION; PIANO STRINGS; VIBRATIONS; PHYSICS;
D O I
10.1121/10.0005008
中图分类号
O42 [声学];
学科分类号
070206 ; 082403 ;
摘要
Collision modelling represents an active field of research in musical acoustics. Common examples of collisions include the hammer-string interaction in the piano, the interaction of strings with fretboards and fingers, the membrane-wire interaction in the snare drum, reed-beating effects in wind instruments, and others. At the modelling level, many current approaches make use of conservative potentials in the form of power-laws, and discretisations proposed for such models rely in all cases on iterative root-finding routines. Here, a method based on energy quadratisation of the nonlinear collision potential is proposed. It is shown that there exists a suitable discretisation of such a model that may be resolved in a single iteration, while guaranteeing stability via energy conservation. Applications to the case of lumped as well as fully distributed systems will be given, using both finite-difference and modal methods.
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页码:3502 / 3516
页数:15
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