Adorno on the Autonomy of Art

被引:0
|
作者
Wang, Shang-Wen [1 ]
机构
[1] Assumption Univ, Grad Sch Philosophy & Relig, Bangkok, Thailand
关键词
Adorno; Autonomy (of Art); Critical Theory; Humanity; Material (of Art); Primacy of Art Object;
D O I
暂无
中图分类号
B [哲学、宗教];
学科分类号
01 ; 0101 ;
摘要
"Autonomy of art" is emphasized in Western art since nineteenth century. The autonomy of art means: The development and existence of art should aim at beauty and art itself and not at the factors external to it, e.g. religious rituals, political propagandas or commercial profits. This thesis indicates artist's freedom of creation and the objective independence of the existence of art work. The emphasis on the autonomy of art is always the core of Adorno's aesthetics and philosophy of art. Some scholars, however, doubt the universalizability of this claim and Adorno's insistence on it. This paper tries to indicate: Adorno's claim on the autonomy of art, however, is not just a formal demand, but related to his philosophical stance, critique of Enlightenment and the promotion of humanity.
引用
收藏
页码:77 / 90
页数:14
相关论文
共 12 条
  • [1] Adorno Theodor., GS, V3
  • [2] Adorno TheodorW., 1997, GESAMMELTE SCHRIFTEN
  • [3] Benjamin Walter., 1961, ILLUMINATIONEN
  • [4] Bernstein J.M., 2004, The Cambridge Companion to Critical Theory, P139
  • [5] Burger Peter., 1974, THEORIE AVANTGARDE
  • [6] Burkholder J. P., 2014, A history of Western music, V9th
  • [7] Dahlhaus Carl., 1987, LUDWIG BEETHOVEN SEI
  • [8] AUTONOMY OF ART - LOOKING BACK AT ADORNO 'ASTHETISCHE THEORIE'
    HOHENDAHL, PU
    [J]. GERMAN QUARTERLY, 1981, 54 (02): : 133 - 148
  • [9] Paddison Max., 1993, ADORNOS AESTHETICS M
  • [10] Sonderegger Ruth, 2011, Adorno Handbuch. Leben, Werk, Wirkung, P414