Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy

被引:22
|
作者
Jorge-Villar, Susana E. [1 ]
Edwards, Howell G. M. [2 ]
机构
[1] Univ Burgos, Fac Educ, C Villadiego 1, Burgos 09001, Spain
[2] Univ Bradford, Dept Chem & Forens Sci, Bradford, W Yorkshire, England
关键词
blue pigments; green pigments; Raman spectroscopy; Roman wall paintings; MULTI-ANALYTICAL APPROACH; FRAGMENTS;
D O I
10.1002/jrs.6118
中图分类号
O433 [光谱学];
学科分类号
0703 ; 070302 ;
摘要
In Roman wall paintings, blue and green colours are less commonly encountered than red and yellow and were more expensive. Despite this, Pliny and Vitruvius describe the more common compounds used for these pigments, translated today as azurite, lazurite, chrysocolla, indigo and Egyptian blue for blues and verdigris, malachite, celadonite, glauconite and chlorite for greens. A confusion in their nomenclature is often found in the most common blue pigment that is the first manufactured compound, Egyptian blue. For greens, celadonite and glauconite were usual and called generically 'green earths', but they prove to be difficult to characterize analytically. In this paper, we evaluate the Raman spectroscopic identification of the characteristic Roman blue and green pigments as used in wall paintings using two different laser wavelengths (green and near infrared) and clarify their nomenclature.
引用
收藏
页码:2190 / 2203
页数:14
相关论文
共 50 条
  • [1] In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy
    Peter Vandenabeele
    Karel Lambert
    Sofie Matthys
    Walter Schudel
    Anna Bergmans
    Luc Moens
    Analytical and Bioanalytical Chemistry, 2005, 383 : 707 - 712
  • [2] In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy
    Vandenabeele, P
    Lambert, K
    Matthys, S
    Schudel, W
    Bergmans, A
    Moens, L
    ANALYTICAL AND BIOANALYTICAL CHEMISTRY, 2005, 383 (04) : 707 - 712
  • [3] Pigments used in Roman wall paintings in the Vesuvian area
    Aliatis, Irene
    Bersani, Danilo
    Campani, Elisa
    Casoli, Antonella
    Lottici, Pier Paolo
    Mantovan, Silvia
    Marino, Iari-Gabriel
    JOURNAL OF RAMAN SPECTROSCOPY, 2010, 41 (11) : 1537 - 1542
  • [4] Raman spectroscopy of the pigments on Korean traditional paintings
    Nam, Ji-Yeon
    Han, Kiok
    Ji, Jeong-Eun
    Kim, Seung
    Lee, Hanhyoung
    Kang, Daiill
    Han, Minsu
    Yang, In-Sang
    VIBRATIONAL SPECTROSCOPY, 2016, 85 : 181 - 184
  • [5] A preliminary Raman microscopic exploration of pigments in wall paintings in the Roman tomb discovered at Kertch, Ukraine, in 1891
    Smith, DC
    Barbet, A
    JOURNAL OF RAMAN SPECTROSCOPY, 1999, 30 (04) : 319 - 324
  • [6] Micro-Raman spectroscopic identification of pigments of 4th century Roman wall paintings
    Cristini, O.
    Kinowski, C.
    Jarry, T.
    Turrell, S.
    Tessariol, M.
    Groetembril, S.
    XXII INTERNATIONAL CONFERENCE ON RAMAN SPECTROSCOPY, 2010, 1267 : 313 - +
  • [7] Analysis of pigments from Roman wall paintings found in Vicenza
    Mazzocchin, GA
    Agnoli, F
    Mazzocchin, S
    Colpo, I
    TALANTA, 2003, 61 (04) : 565 - 572
  • [8] RAMAN-SPECTROSCOPY - APPLICATION TO ASSESSMENT OF PIGMENTS IN PAINTINGS
    LEY, M
    BRISANT, MD
    RUDLER, M
    ANALUSIS, 1993, 21 (06) : M47 - M49
  • [9] Raman spectroscopy analysis of pigments on Diego Velazquez paintings
    Gutierrez-Neira, P. C.
    Agullo-Rueda, F.
    Climent-Font, A.
    Garrido, C.
    VIBRATIONAL SPECTROSCOPY, 2013, 69 : 13 - 20
  • [10] Green pigments of Roman mural paintings from Seville Alcazar
    Luis Perez-Rodriguez, Jose
    Jimenez de Haro, Maria del Carmen
    Siguenza, Belinda
    Maria Martinez-Blanes, Jose
    APPLIED CLAY SCIENCE, 2015, 116 : 211 - 219