The Art of Conceptual Modelling

被引:7
|
作者
Thalheim, Bernhard [1 ]
机构
[1] Univ Kiel, Inst Comp Sci, D-24098 Kiel, Germany
关键词
conceptual modelling; modelling workflow; foundations of modelling; DESIGN SCIENCE;
D O I
10.3233/978-1-60750-992-9-149
中图分类号
TP18 [人工智能理论];
学科分类号
081104 ; 0812 ; 0835 ; 1405 ;
摘要
Conceptual modelling is one of the central activities in Computer Science. Conceptual models are mainly used as intermediate artifact for system construction. They are schematic descriptions of a system, a theory, or a phenomenon of an origin thus forming a model. A conceptual model is a model enhanced by concepts. The process of conceptual modelling is ruled by the purpose of modelling and the models. It is based on a number of modelling acts, on a number of correctness conditions, on modelling principles and postulates, and on paradigms of the background or substance theories. Purposes determine the (surplus) value of a model. Conceptual modelling is performed by a modeller that directs the process based on his/her experience, education, understanding, intention and attitude. Conceptual models are products that are used by other stakeholders such as programmers, learners, business users, and evaluators. Conceptual models use a language as a carrier for the modelling artifact and are restricted by the expressiveness of this carrier. This language is often also used for the description of the concepts that are incorporated into a modelling result. Concepts can be explicitly defined or can be implicitly assumed based on some common sense within an application domain, a Computer Science sub-culture and within a community of practice. A theory of conceptual models and a theory of modelling acts have been developed in [26,27]. This paper aims at a development of a general theory of modelling as an art in the sense of [9]. A general theory of modelling also considers modelling as an apprenticeship and as a technology. We distinguish between the art of modelling within a creation and production process, the art of modelling within an explanation and exploration process, the art of modelling within an optimisation and variation process, and the art of modelling within a verification process. This distinction allows to relate the specific purpose with macro-steps of modelling and with criteria for approval or refusal of modelling results.
引用
收藏
页码:149 / 168
页数:20
相关论文
共 50 条
  • [1] CONCEPTUAL ART
    WILSON, I
    ARTFORUM, 1984, 22 (06): : 60 - 61
  • [2] Conceptual modelling for simulation Part II: a framework for conceptual modelling
    Robinson, S.
    JOURNAL OF THE OPERATIONAL RESEARCH SOCIETY, 2008, 59 (03) : 291 - 304
  • [3] Conceptual art
    Roberts, J
    OXFORD ART JOURNAL, 2003, 26 (01) : 174 - 181
  • [4] Conceptual art
    Sausset, D
    OEIL-MAGAZINE INTERNATIONAL D ART, 2000, (513): : 12 - 12
  • [5] Conceptual art
    Lindquist, Greg
    ARTNEWS, 2011, 110 (08): : 108 - 108
  • [6] Conceptual Art
    Biagi, Giacomo
    IRIDE-FILOSOFIA E DISCUSSIONE PUBBLICA, 2016, 29 (03): : 706 - 708
  • [7] Art after conceptual art
    Leung, Godfre
    ART JOURNAL, 2007, 66 (04) : 109 - 111
  • [8] A literature review of mobility services: definitions, modelling state-of-the-art, and key considerations for a conceptual modelling framework
    Calderon, Francisco
    Miller, Eric J.
    TRANSPORT REVIEWS, 2020, 40 (03) : 312 - 332
  • [9] Natural Language-Based Conceptual Modelling Frameworks: State of the Art and Future Opportunities
    Hossain, Bayzid Ashik
    Mukta, Md. Saddam Hossain
    Islam, Md Adnanul
    Zaman, Akib
    Schwitter, Rolf
    ACM COMPUTING SURVEYS, 2024, 56 (01)
  • [10] MULTILINGUALISM AND CONCEPTUAL MODELLING
    Mairal-Uson, Ricardo
    Perinan-Pascual, Carlos
    CIRCULO DE LINGUISTICA APLICADA A LA COMUNICACION, 2016, (66): : 244 - 277