Spatial distancing and social closeness: The work of creative professionals during the pandemic

被引:0
|
作者
Salamova, Zemfira [1 ]
机构
[1] Natl Res Univ Higher Sch Econ, 20 Myasnitskaya Ulitsa, Moscow 101000, Russia
关键词
creative labour; COVID-19; pandemic; digital entrepreneurship; isolation and creativity; communication and creativity; fashion jobs;
D O I
10.1386/cc_00037_1
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
As a complete recovery from the COVID-19 pandemic crisis does not seem possible in the near future, the survival of many creative professions is under threat in Russia and other countries. Strict anti-pandemic measures were introduced in Moscow at the end of March 2020 and lasted for a little more than two months. One of the main requirements was to work from home and go outside as rarely as possible. Most Russian creative professionals such as photographers, makeup artists, actors, musicians, stand-up comedians and television hosts found themselves in very unfamiliar conditions since their work presumes physical contact with other people. However, even artists who usually work alone like jewellers or designers met with came across practical and psychological difficulties as well and had to adapt to the new order. This research focuses on two examples of creative work during the COVID-19 pandemic: Russian jewellery designer Katia Rabey's project 'Quarantine Rings' and the participation of Russian makeup artist Yulia Rada in virtual commercial photo-shoots. I am interested in how the artists perceived the changes introduced as a result of the pandemic and how these changes emphasized the digital side of contemporary creative labour. Despite the differences in the challenges that the two artists met, both of them stressed the importance of social closeness.
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页码:215 / 229
页数:15
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