An ordering principle or a structure? The development of Arnold Schoenberg's sound language on the example of his piano works

被引：0

|

作者：

Schmidt, M

机构：

来源：

OSTERREICHISCHE MUSIK ZEITSCHRIFT | 1998年 / 53卷 / 3-4期

关键词：

D O I：

暂无

中图分类号：

J6 [音乐];

学科分类号：

摘要：

引用

收藏

页码：103 / 104

页数：2

相关论文

共 5 条

[1] Principle of order or construction? The development of Arnold Schonberg's language of music as seen in his works for piano
Hansen, M
[J]. MUSIKFORSCHUNG, 2000, 53 (01): : 111 - 112
[2] Arnold Schoenberg: Three piano works opus-11. Studies on Schoenberg's early atonality
Whittall, A
[J]. MUSIC & LETTERS, 2001, 82 (04) : 668 - 671
[3] Alban Berg as Arnold Schoenberg's student. Source studies and analyses of his early works
Rode-Breymann, S
[J]. MUSIKFORSCHUNG, 1999, 52 (02): : 263 - 265
[4] The Development of Arnold Schoenberg's dodecaphonic Harmony from the Vantag Point of his Theory of Harmony
Boeggemann, Markus
[J]. MUSIKFORSCHUNG, 2012, 65 (01): : 71 - 72
[5] The Creative Process in Arnold Schoenberg's and Alban Berg's Work in the Light of the Sources: On Relations of Spontaneity and Development in some Works from about 1910 and the Consequences for an Edition
Scheideler, Ullrich
[J]. STUDIA MUSICOLOGICA, 2012, 53 (1-3) : 85 - 102