New results with regard to the Flora bust controversy: radiocarbon dating suggests nineteenth century origin

被引:5
|
作者
Reiche, Ina [1 ,2 ]
Beck, Lucile [3 ]
Caffy, Ingrid [3 ]
机构
[1] PSL Univ, PCMTH Team, Inst Rech Chim Paris IRCP,ENSCP, Ctr Rech & Restaurat Musees France C2RMF,UMR 8247, 14 Quai Francois Mitterrand, F-75001 Paris, France
[2] Staatliche Museen Berlin Stiftung Preussischer Ku, Rathgen Forschungslab, Schlossstr 1a, D-14059 Berlin, Germany
[3] Univ Paris Saclay, Lab Mesure Carbone 14 LMC14, LSCE IPSL, CEA CNRS UVSQ, Bat 450 Porte 4E, F-91191 Gif Sur Yvette, France
关键词
D O I
10.1038/s41598-021-85505-x
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
07 ; 0710 ; 09 ;
摘要
Many works of art have been attributed to Leonardo da Vinci (1452-1519), the great artist-scientist-engineer of the Italian Renaissance; however, art historians have struggled to find definitive proof to connect Leonardo to these art pieces. The Flora wax bust in the Bode Museum, Berlin, was attributed to Leonardo because her face resembles several Leonardo portraits, but this attribution has the subject of intense debate since the bust's acquisition in 1909. Using new chemical analyses and absolute C-14 dating, we are able to resolve the question of authenticity. We show that the Flora wax bust is made primarily of spermaceti which was extracted from sperm whales. Therefore, C-14 dating must consider the Marine Reservoir Effect. We have generated a new calibration method and dated the bust to the 19th c. This proves that the bust was not produced during the Renaissance, and thus cannot be attributed to da Vinci, and illustrates that C-14 dating can be applied to unusual materials.
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页数:11
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