News & events (Award for Georg Friedrich Haas)

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STRAD | 2000年 / 111卷 / 1326期

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页码：1052 / 1052

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[1] Georg Friedrich Haas
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TEMPO, 2017, 71 (280) : 88 - 89
[2] Deadly End Georg Friedrich Haas's Anachronistic Harmonies
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OSTERREICHISCHE MUSIKZEITSCHRIFT, 2017, 72 (05): : 70 - 75
[3] UPCYCLING THE CONCERT FOR KLANGWERK AND ORCHESTRA (2019) BY GEORG FRIEDRICH HAAS
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NEUE ZEITSCHRIFT FUR MUSIK, 2020, (01): : 52 - 55
[4] Ultimate Dark Morning and Evening and then Coma by Georg Friedrich Haas
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OSTERREICHISCHE MUSIKZEITSCHRIFT, 2016, 71 (04): : 66 - 70
[5] IN THE BORDER ZONES OF THE COMPANY RESTART THE VIENNA FESTIVAL WITH <<BLOOD HOUSE>> OF GEORG FRIEDRICH HAAS
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NEUE ZEITSCHRIFT FUR MUSIK, 2014, (04): : 78 - 78
[6] "The Craft is the Embodiment of the Spirit" Adriana Hoelszky and Georg Friedrich Haas in Conversation with Doris Weberberger
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OSTERREICHISCHE MUSIKZEITSCHRIFT, 2012, 67 (01): : 52 - 58
[7] Georg Friedrich Haas: In Vain. Sound forum Vienna - Kairos 12332 (S Cambreling)
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NEUE ZEITSCHRIFT FUR MUSIK, 2004, 165 (05): : 74 - 74
[8] New music as daughters of freedom? Conceptual and interpretative free space in the music of Georg Friedrich Haas
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OSTERREICHISCHE MUSIKZEITSCHRIFT, 2007, 62 (11-12): : 38 - 42
[9] Georg friedrich Handel
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NOTES, 2010, 66 (04) : 857 - 862
[10] Playing with Shadows: Reinjection Loops and Historical Allusion in Georg Friedrich Haas's Live Electronic Music
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CIRCUIT, 2019, 29 (02): : 63 - 82

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