TOWARD AN ONTOLOGY OF AUDIO PRESERVATION

This study examines a selection of philosophical frameworks that influence decision-making in audio preservation. Issues of reproduction and digitization, materiality, and the acceptance of change are considered and contextualized among other conservation specialties. Comparisons are drawn between audio recordings, fine art, and library materials, with attention to general and special collections concepts. A spectrum of authenticity is proposed and applied to three real-world case studies to demonstrate the utility of philosophical constructs as applied to audio preservation programs and techniques.