WRITING-BETWEEN-WORLDS IN THE WORK OF CONTEMPORARY FRANCOPHONE AUTHORS

In the context of contemporary identity cartographies, writing-between-worlds (ETTE) is becoming increasingly frequent, in which productive and unpredictable contacts between different languages and cultures stand out. In the case of francophone literature, read in the light of the notions of language imaginary (GLISSANT) and surconscience linguistique (GAUVIN), we observe the revision of the idea of home country and mother tongue. From the friction between languages, memories and landscapes, the literary production of authors without a fixed abode grows, capable of transgressing borders of maps considered until then stable.