Perception of Audio Quality in Productions of Popular Music

被引:10
|
作者
Wilson, Alex [1 ]
Fazenda, Bruno M. [1 ]
机构
[1] Univ Salford, Acoust Res Ctr, Manchester M5 4WT, Lancs, England
来源
关键词
PERCEIVED QUALITY; RELIABILITY; EXPOSURE; LIKING;
D O I
10.17743/jaes.2015.0090
中图分类号
O42 [声学];
学科分类号
070206 ; 082403 ;
摘要
The quality of recorded music is often highly. disputed. To gain insight into the dimensions of quality perception, subjective and objective evaluation of musical program material, extracted from commercial CDs, was undertaken. It was observed that perception of audio quality and liking of the music can be affected by separate factors. Familiarity with stimuli affected like ratings while quality ratings were most associated with signal features related to perceived loudness and dynamic range compression. The effect of listener expertise was small. Additionally, the sonic attributes describing quality ratings were gathered and indicate a diverse lexicon relating to timbre, space, defects, and other concepts. The results also suggest that while the perceived quality of popular music may have decreased over recent years, like ratings were unaffected.
引用
收藏
页码:23 / 34
页数:12
相关论文
共 50 条
  • [1] The audio technology/engineering in TV music program productions
    Igarashi, Kimihiko
    [J]. Kyokai Joho Imeji Zasshi/Journal of the Institute of Image Information and Television Engineers, 2015, 69 (04): : 292 - 295
  • [2] An Eye for Music: Popular Music and the Audio-Visual Surreal
    Bennett, Alexis
    [J]. POPULAR MUSIC, 2016, 35 (01) : 126 - 128
  • [3] The social perception of harmony in popular music
    Buil Tercero, Pedro
    [J]. METHAODOS-REVISTA DE CIENCIAS SOCIALES, 2013, 1 (01): : 142 - 153
  • [4] The Sound of Music: The Effect of Timbral Sound Quality in Audio Logos on Brand Personality Perception
    Melzner, Johann
    Raghubir, Priya
    [J]. JOURNAL OF MARKETING RESEARCH, 2023, 60 (05) : 932 - 949
  • [5] Muddy, muddled, or muffled? Understanding the perception of audio quality in music by hearing aid users
    Bannister, Scott
    Greasley, Alinka E.
    Cox, Trevor J.
    Akeroyd, Michael A.
    Barker, Jon
    Fazenda, Bruno
    Firth, Jennifer
    Graetzer, Simone N.
    Roa Dabike, Gerardo
    Vos, Rebecca R.
    Whitmer, William M.
    [J]. FRONTIERS IN PSYCHOLOGY, 2024, 15
  • [6] Robust Audio Identification for MP3 Popular Music
    Li, Wei
    Liu, Yaduo
    Xue, Xiangyang
    [J]. SIGIR 2010: PROCEEDINGS OF THE 33RD ANNUAL INTERNATIONAL ACM SIGIR CONFERENCE ON RESEARCH DEVELOPMENT IN INFORMATION RETRIEVAL, 2010, : 627 - 634
  • [7] Spatial Perception and Cognition in Multichannel Audio for Electroacoustic Music
    Kendall, Gary S.
    [J]. ORGANISED SOUND, 2010, 15 (03) : 228 - 238
  • [8] The influence of generative AI on popular music: Fan productions and the reimagination of iconic voices
    Galuszka, Patryk
    [J]. MEDIA CULTURE & SOCIETY, 2024,
  • [9] The Naturalised and the Surreal: changes in the perception of popular music sound
    Brovig-Hanssen, Ragnhild
    Danielsen, Anne
    [J]. ORGANISED SOUND, 2013, 18 (01) : 71 - 80
  • [10] Audio Quality X Accessibility How Digital Technology Changed the Way We Listen and Consume Popular Music
    Gomes, Ricardo Milani
    [J]. REVISTA VORTEX-VORTEX MUSIC JOURNAL, 2016, 4 (02):