FROM PROGRAMMER TO CURATOR: HOW FILM FESTIVALS ARE PUSHING THE BOUNDARIES OF NEW MEDIA AND EXPANDED CINEMA

被引：0
|
作者：
Klimek, Caroline [1 ]
机构：
[1] York Univ, Cinema & Media Arts, N York, ON, Canada
来源：
CANADIAN JOURNAL OF FILM STUDIES-REVUE CANADIENNE D ETUDES CINEMATOGRAPHIQUES | 2018年 / 27卷 / 01期
关键词：
film festivals; expanded cinema; virtual reality; Hot Docs Canadian International Documentary Film Festival; imagineNATIVE;
D O I：
10.3138/CJFS.27.1.2017-0016
中图分类号：
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号：
摘要：
This article examines how two Canadian film festivals are introducing new media work into their main festival programs. The Hot Docs Canadian International Film Festival and imagineNATIVE Film + Media Arts Festival are using their new media programs (DocX and Digital Media Art+Cade, respectively) as an opportunity to blend their industry and festival programming and create interdisciplinary partnerships with key stakeholders interested in promoting Canadian new media work and emerging technology. This article looks at the film festival as an institution and as a new, expanded cinema venue, and the effects that the addition of new media art have on overall programming and festival mandates.
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页码：73 / 87
页数：15
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