Parallel worlds, convergent aesthetics: Cabrera Infante's 'Tres Tristes Tigres' and Fellini's La 'Dolce Vita'

被引：0

|

作者：

Frost, DT ^{[1
]}

机构：

[1] Univ Connecticut, Storrs, CT 06269 USA

来源：

ROMANCE NOTES | 1997年 / 38卷 / 01期

关键词：

D O I：

暂无

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

引用

收藏

页码：3 / 14

页数：12

相关论文

共 6 条

[1] Deception or creation?: Translations in Guillermo Cabrera!Infante's 'Tres Tristes Tigres'
Barreneche, Gabriel Ignacio
ROMANCE NOTES, 2007, 47 (03) : 301 - 311
[2] Cabrera infante's 'tres tristes tigres': The trapping effect of the signifier over subject and text.
Rowlandson, W
MODERN LANGUAGE REVIEW, 2005, 100 : 240 - 242
[3] The spleen of Rome: Mourning modernism in Fellini's La 'Dolce vita'
Ricciardi, A
MODERNISM-MODERNITY, 2000, 7 (02) : 201 - 219
[4] HABITS BETWEEN HABITUS AND HABITAT: AN ANALYSIS BASED ON FEDERICO FELLINI'S LA DOLCE VITA
Ramellini, Pietro
SGUARDO-RIVISTA DI FILOSOFIA, 2021, (31): : 379 - 392
[5] English paparazzo < Italian paparazzo = Commonization of the Charactonym Paparazzo (in Federico Fellini's La Dolce Vita)?
David L. Gold
Neophilologus, 2001, 85 : 111 - 119
[6] English paparazzo and Italian paparazzo = commonization of the charactonym Paparazzo (in Federico!Fellini's La 'Dolce Vita')
Gold, DL
NEOPHILOLOGUS, 2001, 85 (01) : 111 - 119