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- [3] Emilia as Libertine, Reassessing G.E. Lessing’s Emilia Galotti Neophilologus, 2006, 90 : 77 - 85
- [4] 'Sara Sampson' (1789): Russian-language adaptations of G.E. Lessing's bourgeois drama ZEITSCHRIFT FUR SLAWISTIK, 2004, 49 (01): : 61 - 74
- [5] Political bodies and bodies politic: Cultural identity and the actor in G.E. Lessing's 'Hamburg Dramaturgy' EIGHTEENTH CENTURY-THEORY AND INTERPRETATION, 2002, 43 (03): : 253 - 267
- [7] Destabilizing typologies: Jewish works, Christian faith, and the passage from Orient to Occident in G.E. Lessing's 'Ernst und Falk, Gesprache fur Freimaurer' GERMANIC REVIEW, 2003, 78 (04): : 301 - 318