Allegorical play in the Old French motet. The sacred and the profane in thirteenth-century French polyphony

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Wolfzettel, F

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ZEITSCHRIFT FUR ROMANISCHE PHILOLOGIE | 2000年 / 116卷 / 02期

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H [语言、文字];

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05 ;

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页码：333 / 335

页数：3

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[1] Allegorical play in the Old French motet. The sacred and the profane in thirteenth-century polyphony
Popin, M
REVUE DE MUSICOLOGIE, 1998, 84 (02) : 313 - 314
[2] Allegorical play in the Old French motet. The sacred and the profane in thirteenth-century polyphony
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REVUE DES LANGUES ROMANES, 1998, 102 (01) : 222 - 224
[3] Allegorical play in the Old French motet: The sacred and the profane in thirteenth-century polyphony
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SPECULUM-A JOURNAL OF MEDIEVAL STUDIES, 1998, 73 (03): : 856 - 858
[4] Allegorical play in the Old French motet: The sacred and the profane in thirteenth-century polyphony
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MODERN PHILOLOGY, 2000, 98 (01) : 6 - 10
[5] Allegorical play in the Old French motet: the sacred and the profane in thirteenth-century polyphony
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MUSIC & LETTERS, 1998, 79 (04) : 584 - 585
[6] Allegorical play in the Old French motet: The sacred and the profane in thirteenth century polyphony
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FRENCH STUDIES, 1999, 53 (03) : 318 - 319
[7] The French motet as trope: Multiple levels of meaning in 'Quant florist la violete el mois de mai et gaudebit' (Thirteenth-century sacred and profane textual-lyrical interplay)
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[8] Marian devotion in thirteenth-century French lyric
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ARCHIV FUR DAS STUDIUM DER NEUEREN SPRACHEN UND LITERATUREN, 2007, 244 (02): : 444 - 447
[9] Marian devotion in thirteenth-century French lyric
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FRENCH REVIEW, 2008, 81 (06): : 1265 - 1266
[10] Marian devotion in thirteenth-century French lyric
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