Modality in the Hymns of the Armenian Church

被引：0
|
作者：
Utidjian, Haig
机构：
来源：
AMTA '09: PROCEEDINGS OF THE 10TH WSEAS INTERNATIONAL CONFERENCE ON ACOUSTICS AND MUSIC: THEORY AND APPLICATIONS | 2009年
关键词：
Armenian early orthodox chant; Armenian modal systems; performance practice; semi-improvisation; oral transmission and reconstruction; neumatic systems of notation; harmonization; tonal ambiguity; Komitas and Britten;
D O I：
暂无
中图分类号：
O42 [声学];
学科分类号：
070206 ; 082403 ;
摘要：
The paper discusses the meaning and function of modality in Armenian church music, its relation to issues of neumatic notation, oral reconstruction and tonal ambiguity; and the manner in which the latter has influenced nineteenth-century harmonisations, some of which evince a harmonic language anticipating similar effects deployed by Western composers. Matters of performance practice are touched upon, and a critique of efforts to decipher neumatic notation has been provided.
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页码：23 / 29
页数：7
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