THE SITE OF THE AFFECTS: POLYPHONY OF VOICES AND URBAN FRAGILITY IN LA ALAMEDA 2018 BY ROCIO HUERTAS

被引：0

作者：

Fernandez-Pichel, Samuel ^{[1
,2
]}

Cobo-Duran, Sergio ^{[3
,4
,5
]}

机构：

[1] Univ Huelva, Huelva, Spain

[2] Univ Huelva, Cultural Theory & Studies Res Grp HUM409, Huelva, Spain

[3] Univ Seville, Dept Audiovisual Commun & Advertising, Seville, Spain

[4] ADMIRA Res Grp, Seville, Spain

[5] Masters Degree Programme Scriptwriting Narrat & A, Seville, Spain

来源：

ATALANTE-REVISTA DE ESTUDIOS CINEMATOGRAFICOS | 2022年 / 33期

关键词：

Feminist documentary; Non-Fiction; Voice; Polyphony; Urban Memory; Urban Fragility; Animated Documentary;

D O I：

暂无

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

In the non-fiction film La Alameda 2018, artist and filmmaker Rocio Huertas reconstructs a memory-scape of the emblematic Sevillian neighbourhood of La Alameda de Hercules based on her own lived experiences and those of other (former) residents. The film uses a variety of compositional techniques and devices (from animation to interviews and dialoguing with archive footage) to construct a collective, polyphonic voice that speaks of the radical transformation of an urban area besieged by gentrification and mass tourism. This article presents an interpretation of Huertas's film that explores the mise-en-scene and narrative construction of a plural voice (the "I-We'') that addresses the audience, while at the same time drawing on the conceptual framework of urban fragility to reveal the intimate connection between the quest for identity in the film and the memory of a place in the process of disappearing.

引用

页码：101 / 114

页数：14