Musicians and drums in the ethnomusicology of transculturation: Fernando Ortiz, the drummers of Regla and the Afro-Cuban Ethnography

被引：2

作者：

Pavez Ojeda, Jorge ^{[1
,2
,3
,4
]}

机构：

[1] Univ Metropolitana Ciencias Educ, Programa Escrituras Amer, Santiago, Chile

[2] Inst Etud Avancees Paris, Paris, France

[3] Univ Chicago, Dept Anthropol, Chicago, IL 60637 USA

[4] Inst Invest & Desarrollo Cultura Cubana Juan Mari, Havana, Cuba

来源：

LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA | 2016年 / 37卷 / 02期

关键词：

ethnomusicology; drums; history of anthropology; Afro-Cuban studies; Fernando Ortiz;

D O I：

10.7560/LAMR37203

中图分类号：

J6 [音乐];

学科分类号：

摘要：

In this article I study the form of production of the "ethnographic authority" in the musicological work of Fernando Ortiz, founding author of an ethnological narrative for the Cuban nation, in which Afro-Cuban music occupies a central place. In this way, we will be able to see the rise and inscription of the ethnographic dialogic agency-the drums and the drummers from Regla (Havana) as ethnomusicology objects and subjects-in the texts of music representation.

引用

页码：208 / 238

页数：31

共 7 条

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