Improvisational Artistry in Live Dance Performance as Embodied and Extended Agency

This article provides an account of improvisational artistry in live dance performance that construes the contribution of the dance performer as a kind of agency. Andy Clark's theory of the embodied and extended mind is used in order to consider how this account is supported by research on how a thinking-while-doing person navigates the world. I claim here that while a dance performer's improvisational artistry does include embodied and extended features that occur outside of the brain and nervous system, that this can be construed as agency rather than thought. Further I claim that trained and individual style accounts for how this agency acquires its artistic nature. This account thus contributes to the philosophy of improvisation in dance performance in a way that includes motor as well as cognized intentions. © 2014 Congress on Research in Dance.