'THE ISLAND BLAZED': A BLINDING LIGHT AND TIEPOLO'S HOUND

This essay is primarily a study of Derek Walcott's Tiepolo's Hound as an affirmation of Caribbean, tropical, blinding light through an engagement with the life and work of Camille Pissarro. Conceived as such, the poem, I argue, proposes an "adamic" vision and imagination attuned with "Time" rather than "History" (the concepts are Walcott's), as well as an intensification of sensory-perception beyond vision. In order to better appreciate the historical and contextual relevance of Tiepolo's Hound, the essay provides first a general introduction to: (1) a nuanced understanding of light and its "otherness" emerging from modern physics; (2) some of the ways in which western capitalism and Cartesian perspectivism, as a hegemonic aesthetic and philosophical tradition in the West, have attempted to capture and control light and its "otherness;" and (3) the blinding quality of light in the tropical context, which repositions light as a force against any and all exploitative capitalist desires.