'Playing for fascism': sportsmanship, antisemitism and the British Union of Fascists

Taking recent developments in the study of fascism as a cultural system as a starting point, Spurr examines the interrelationship between notions of race, sportsmanship and Britishness in the subculture of the British Union of Fascists (BUF). More specifically, by focusing on the BUF's understandings of Britishness and sportsmanship, he highlights the self-reflexive qualities of the movement's subculture in which a fascist world-view shaped not only explicitly political programmes but also the ways in which this variant of European fascism mirrored particularly English modes of defining national identity and cultural difference in the rhetoric of sportsmanship. In addition, Spurr outlines one of the many ways that this fascist culture shaped social practice in the fascist community, so reflecting an assumption that fascism was as much a lived experience as it was a world of ideas and political philosophy. In so doing, he examines the implications of the BUF's distinctly English notion of sportsmanship for its followers' self-definition as Britons, and how this understanding functioned in the construction of the counter-image of the Sporting Jew. As a metaphor, while seemingly rather innocuous, this characterization of the Jew enabled Mosleyites to express a multilayered critique of Jews in a manner that encapsulated their wider ideological concerns and in an idiom readily recognized in the wider context of British inter-war culture. In adopting this approach, Spurr rejects suggestions that the BUF mimicked Nazi models of antisemitism and moves beyond revisionist historiography's concern with origins and forms to explore the cultural functions of racism in the movement's subculture.