Presence, 2019-2022: Introduction

被引:1
|
作者
Jannarone, Kimberly [1 ,2 ]
Morrison, Elise [3 ]
Nyong'o, Tavia [4 ,5 ,6 ,7 ,8 ]
机构
[1] Yale Sch Drama, Practice Dramaturgy & Dramat Criticism, New Haven, CT 06511 USA
[2] UC St Cruz, Theater Arts, Santa Cruz, CA 95064 USA
[3] Yale Univ, Studies, New Haven, CT USA
[4] Yale Univ, Theater & Performance Studies, New Haven, CT USA
[5] Yale Univ, Theater & Performance Studies, New Haven, CT USA
[6] Yale Univ, Amer Studies, New Haven, CT USA
[7] Yale Univ, African Amer Studies, New Haven, CT USA
[8] Yale Univ, Womens Gender & Sexual Studies, New Haven, CT USA
关键词
D O I
10.1017/S1054204322000533
中图分类号
TU242.2 [影院、剧院、音乐厅];
学科分类号
摘要
Our understanding of "presence" has made an epochal shift in the past three years. The field of performance studies-never settled, always in flux-is shifting as well on this topic, as what we study expands digitally, contracts physically, embraces new paradigms, and unlooses others. While it is impossible to fix an exact time when attitudes about something as ineffable yet entirely real as presence changed permanently, this issue touches down on several key moments.
引用
收藏
页码:22 / 27
页数:6
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